Canon to Launch an RF 5.2mm f/2.8 VR Lens: Report

Canon will reportedly quickly launch a twin 5.2mm f/2.8 L fisheye lens designed for the creation of digital actuality content material.

The unique report by Nokishita acknowledged {that a} 5.2mm f/2.8 lens could be Canon’s subsequent RF addition, which was met with pleasure and confusion, because the usability of a lens that vast was not instantly clear.

The tweet above reads, translated, “The following RF lens that Canon will announce can be 5.2mm F2.8 L. Take a look at the unreleased lens cap 5.2 on Canon’s newest accent listing.”

Nokishita would later report that the official title of the product could be the “RF5.2mm F2.8 L Twin Fisheye” and that it might be for digital actuality (VR).

Some retailers postulated that the lens might be a part of a dual-lens stereoscopic system that Canon has patented at the very least two separate instances: one in September of 2020 — as famous by Canon News — and one other extra just lately in April of 2021 — referenced by Asibonet. Each patents describe a stereoscopic optical imaging system that pair two wide-angle lenses collectively that then converge right into a single barrel that connects to a mirrorless digicam — probably an RF digicam physique.

Stereoscopy is a way for creating or enhancing the phantasm of depth in a picture utilizing binocular lenses. A stereoscopic system would place two an identical lenses a hard and fast distance aside — near the space between human eyes — and document footage concurrently.

The concept behind this design is that VR footage captured with a single lens system just isn’t as straightforward for a viewer utilizing a headset to get pleasure from as a result of, and not using a stereoscopic impact, it might change into tiring or disagreeable to observe for lengthy durations of time. Within the more moderen patent software, Canon particularly states that the objective of the design is to make it extra “snug” for a viewer to get pleasure from content material captured with the lens.

Canon additionally states that in an effort to get hold of a extra pure stereoscopic feeling that’s much like the human eye, the space between which is on common between 60 and 65mm, it was essential to make the aperture of the lens mount bigger than 60mm, subsequently the lens machine and the digicam are bigger. This description is probably going the explanation that Canon goes with the RF system as it’s able to offering each a big mount and a big sensor.

Whereas the aim of this lens appears area of interest, the branding of it as an L-series lens makes it appear as if it is going to be extra broadly obtainable than one thing extra experimental or much more industrial in software like Canon’s $38,400 mixed reality headset. Regardless of the case, if this report is true, Canon will definitely make clear extra when the lens is formally launched.

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