Photographer and YouTuber Kevin Raposo makes use of historic tendencies and tutorial analysis to interrupt down why he believes the Canon EOS R3 may remodel images within the coming years as video and photograph capabilities converge.
Raposo argues that he doesn’t want to take a position on almost something on this video as a result of nearly all the pieces he must base his argument on is already both in the confirmed specifications provided by Canon or seen in earlier market tendencies.
He says that this can mark the primary time that Canon is releasing an expert digital digicam that can shoot nonetheless images at a burst charge that’s quicker than the framerate of theatrical video.
“Now simply to be clear, I perceive that Canon will not be the primary digicam producer to drag this off,” Raposo says. “The Sony A1 and the Fujifilm X-T30 are simply a few the cameras that may shoot at a 30 frames per second burst velocity. The distinction right here is that Canon leads the business in market share. So once they resolve to include a brand new function, adoption charges are typically lots larger.”
In essence, Rapsoso contends that Canon is mainly the Apple of the digicam world. Whereas it isn’t often the primary to do one thing, when it really does act on new applied sciences, that know-how tends to skyrocket in widespread availability and person acceptance.
Theatrical video is shot at 24 frames per second and up till solely very lately, no nonetheless body digicam may match that velocity with its burst charge.
“But when we take a look at the decision and the burst charge of Canon and Nikon flagship digital cameras from 2000 to 2012, we will clearly see a big — and what some may describe as an exponential — enchancment over time,” he says. “In the timeframe between 2000 and 2012, one thing else crucial occurred: the Canon 5D Mark II got here out in 2008 and it included a built-in video function.”
The inclusion of video in a Canon digicam had a dramatic impact on the business to the diploma that it arguably modified it ceaselessly.
“It utterly reshaped the market as a result of it allowed content material creators to shoot 1080p video with a shallow depth of area,” he says. “This meant that any shopper may create a really cinematic look which used to value some huge cash to provide.”
Regardless that Nikon and Panasonic had already provided video within the type issue of an SLR earlier than Canon did, it didn’t matter. Raposo contends that as a result of Canon was the market chief, when it determined to combine the function was when the complete business was disrupted and it was not lengthy earlier than each new stills digicam got here packaged with video performance.
Raposo argues that is precisely what he expects to occur with the R3. Even though Sony and Fujifilm have already got cameras that do what Canon is lastly promising the R3 will accomplish, the truth that Canon goes to supply it has the identical functionality to reframe the photograph business simply as its introduction of video within the 5D Mark II did.
He believes that it’s totally doable that the Canon R3 will as soon as once more reshape the media business and what’s anticipated of pros. Raposo says that thus far in his profession, he has at all times needed to resolve to do a scene in photograph or video.
“Photograph and video have been and proceed to be separate,” he says. “What I’ve by no means needed to do is resolve whether or not an image or a video is a better option: there has at all times been some sort of compromise whether or not that be high quality, decision, or framerate.”
However what if photograph and video cease being so separate? Whereas Canon hasn’t said if the R3 will shoot RAW video, Raposo is assuming it’s going to, which modifications issues fairly a bit.
“If there’s, that can make the R3 the primary digicam developed by Canon that may shoot footage and movies that look similar at the very same speeds,” he says.
With that in thoughts, he asks if you’re given the selection of taking pictures 30 pictures in a second or 30 video frames in a second with the identical high quality and determination, is there actually a distinction?
“Why don’t all of us take a bunch of video clips and extract the frames we want?” he asks.
Raposo brings up an fascinating level. In a short time the variations between photograph and video seize are converging and it’s leading to a digicam panorama which may find yourself making each options nearly the identical. It’s a state of affairs that photographers don’t like to consider because it removes a number of what makes images a ability: making ready and with the ability to seize a decisive second. The thought of a digicam that may simply file and never want a photographer to inform it when precisely to hit the shutter creates an uncomfortable state of affairs for a lot of photographers: what are we would have liked for?
Watch Raposo’s video above for a full dive into what he predicts may occur to the business, and for extra ensure you subscribe to his YouTube channel.