These Are the World’s First T/1.0 Cinema Lenses For a Vary of Cameras

ZY Optics has annoucned 4 new ultra-fast Mitakon Speedmaster T/1.0 cinema lenses for filmmakers, protecting a wide range of focal lengths and lens mount compatibility encompassing Micro 4 Thirds, Tremendous 35, and Full-Body.

The China-based lens producer ZY Optics, which launched its first Speedmaster lens in 2014, has introduced 4 totally different T/1.0 cinema lenses that they declare are the world’s first at that pace: 17mm and 25mm in Micro 4 Thirds mount solely, 35mm in Canon RF, Fujifilm X, Sony E, and in addition Micro 4 Thirds mount, and at last a 50mm lens in Canon EF and Arri PL mount. The lenses are designed to be compact and light-weight whereas nonetheless reasonably priced and, in fact, very quick.

All 4 focal lengths cowl a wide range of filmmaking wants and are designed for various cameras. For instance, the corporate claims that the 17mm, 25mm, and 35mm, which all include a Micro 4 Thirds mount, are a quick and compact possibility for Panasonic GH5, Z-Cam E2, and Pocket4K. The 35mm has a Super35 picture circle, whereas the 50mm lens is designed for full-frame EF/PL cinema cameras, which as ZY Optics claims, makes it the world’s quickest PL-mount cinema lens protecting Arri Alexa LF and Purple Monstro large-format sensors.

Visually, all 4 lenses sport a uniform black design and the 17mm weighs 1.32 kilos (597 grams), the 25m, the lightest lens within the line-up, weighs 1.18 kilos (535 grams), the 35mm weighs 1.36 kilos (615 grams), and the bigger 50mm weighs considerably extra at 3.97 kilos (1800 grams).

The quick T/1.0 aperture mixed with a detailed minimal focusing distance and built-in nine-blade round aperture mechanism produces what the corporate claims to be visually pleasing spherical and refined bokeh when used wide-open. All lenses within the line, aside from the 50mm, have a unified entrance diameter and equipment place for simpler dealing with. The exterior dimension of the lens stays fixed because of the inner focus design and in addition permits correct guide focus level management utilizing its exact scale markings, even at a shallow depth of discipline.

In consecutive order, the next examples have been shot utilizing 17mm, 25mm, and 35mm lenses:


However, the 50mm lens, with the instance footage under, has a bigger type issue on account of its full-frame protection and longer flange design. This lens has been constructed to match with skilled large-format cinema cameras with PL/EF lens mount.

The brand new sequence of lenses are designed to suppress focus respiratory to a minimal. This aspect impact can happen to each zoom and prime lenses when adjusting the focusing distance of a lens which might produce modifications within the angle of view and magnification. The quick T/1.0 aperture is also clearly designed to help capturing in low-light situations.

The corporate claims that these lenses additionally ship well-defined colour distinction and sharpness of the photographs compared to lenses with comparable specs and inside the same value vary. All 4 lenses goal to offer pure colours with a touch of classic firming and produce constant colour all through totally different focal lengths.

The 17mm, 25mm, and 35mm, ranging from $449 individually or as a $1,199 Micro 4 Thirds lens combo set, are available on ZY Optics web site, whereas the 50mm is anticipated to ship in late June. ZY Optics reveals that the corporate is engaged on including extra focal lengths to this line-up and extra particulars will probably be launched quickly.

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